05 January 2016

Star Wars (Ep4) as argument against adaptions

I’ve often cited Star Wars (Episode IV) as an example for why movies shouldn’t be adaptions. Lucas synthesized myriad influences into a new (yet not new) work that is a better film than all but a few direct adaptions. (And many of the better adaptions wandered far enough afield as to arguably not be adaptations.)

Likewise, I’m not a fan of intellectual property and especially any form of intellectual property that restricts adaptions. The execution means more than the idea. The “owner” of the original idea should have no claim on the execution—the hard work—of others; and the execution shouldn’t be restricted by the “owner” of the original idea.

But Lucas wanted to make a Flash Gordon film. He made Star Wars because he couldn’t get the rights.

So, ironically, my example of why you shouldn’t create an adaptation only exists because of intellection property rights.


04 January 2016

Thoughts upon rewatching Star Wars: Episode IV

After seeing Episode VII, we rewatched the previous films. Some thoughts...

There may be spoilers for Episodes I through VI below! ...but none for Episode VII.

Episode IV: The first time I saw this movie I would’ve been about 8yo. I thought Darth Vader and the stormtroopers were robots. I was completely unprepared to appreciate it. Without home video, the comic adaption and The Story of Star Wars recording were more the Star Wars I grew up with rather than the movie.

This movie is so good. A mash-up of fairy tale, Flash Gordon movie serials, and WW2 films. Not to mention all the literary influences snuck in there. No extraneous exposition. The “used future” design.

Younger me would have criticized it for the implausibility of light sabers, the airplane-like movements of space ships, and the impression of sound in space.

(Not that space shots need to be silent, but I appreciate it when the reality of no sound in space is respected. Maybe we get the sounds from within one of the ships. In the Star Wars movies, however, there are clearly sounds that are meant to be read as happening in space.)

But from the (paraphrased) “once upon a time in a faraway land” that it opens with, it is clear that those criticisms are not appropriate.

My nitpicks today are: Why do they have to fly down that trench to fire at the exhaust port rather than flying straight down at it? (Made even worse by the way the torpedoes are depicted as having to make a 90° turn to enter the port.) How can they detect the TIE fighters approaching but no one notices the Falcon’s arrival? But those are—indeed—nitpicks. They are important elements even if they lack a little plausibility/explanation.

There are three things that ground this movie in the 1970s: Luke’s hair, the short sequence of actual 1970s-era computer graphics, and Han’s line about “female advice”.

The only reason the “Greedo shot first” revision bothers me is...how could he miss?

The one place the design of Star Wars completely failed for me was the light saber handles. Those things (and the toy replicas) are not pleasant to grip. Weapons have better grips than that. Which is highlighted by the fact that the blasters are real guns with greebles, and therefore, have sensible grips.

Previously, I believed that Lucas didn’t decide who Luke’s father was until he started on Episode V. Vader seemed like nothing more than Tarkin’s evil wizard. Although, the way Guinness plays the moment before Ben tells Luke about his father...that has read to me like he is making the decision to tell the lie. That was the one thing, previously, that made me think it might to be a retcon. But Luke’s father is mentioned enough that his identity is clearly meant to be significant. I’m now willing to accept that it wasn’t a retcon.

I think it succeeds at being the modern myth. It is the hero’s journey and perhaps the most relevant of traditional values told via the action/adventure motion picture.

Overall, I am even more impressed by this movie today than ever. I used to vacillate over whether Episode IV or V was the best of the series, but today I say unequivocally that IV is the best.